Fother Muckers - Explorador

Futulele: Ukelele hecho con un iPad y un iPhone

Reblogueado desde I Love To Singa

Miguel San Miguel - Película de “Los Prisioneros”

Extracto de la película Miguel San Miguel, basada en la historia del baterista Miguel Tapia del grupo Los Prisioneros. Estreno esperado: Septiembre 2012 

by Guapofilms

Shwood / Lentes de madera a partir de tablas de skate

Reblogueado desde be more.

POR QUE TE VAN A CERRAR?!!! POR QUEEEEEEEEEEE?!!!
Si la cochinada es lo rico, lo que le da el sabor!!!


Reblogueado desde I Love To Singa

Palafitos- Isla de Chiloe / Chile (Dedicado a Mi Monita ♥)

Palafitos- Isla de Chiloe / Chile
(Dedicado a Mi Monita ♥)

sunsurfer:

Dancing House, Prague, Czech Republic
photo via freshpics

sunsurfer:

Dancing House, Prague, Czech Republic

photo via freshpics

Reblogueado desde I Love To Singa

Cannes Lions 2011 Gold winner… 

… corta

… corta

The pursuit of happyness…

The pursuit of happyness…

MindFuck!

MindFuck!

Reblogueado desde Campos de fresas
thepacegallery:

Carsten Nicolai, “syn chron”, 2005. Interior view of installation at Neue Nationalgalerie, Berlin, Germany. © Uwe Walter. Courtesy: Galerie Eigen+Art, Berlin/Leipzig and The Pace Gallery/VG-Bildkunst
“Across the artificial divide seperating the worlds of music and art, Carsten Nicolai, aka Alva Noto, is known for an aesthetics of precision: the form of the artist’s stripped-down sound and design installations often follows a scientific function, playing with and altering viewers’ audio-visual perceptions…”  (via Hans Ulrich Obrist talks to Carsten Nicolai)

thepacegallery:

Carsten Nicolai, “syn chron”, 2005. Interior view of installation at Neue Nationalgalerie, Berlin, Germany. © Uwe Walter. Courtesy: Galerie Eigen+Art, Berlin/Leipzig and The Pace Gallery/VG-Bildkunst

“Across the artificial divide seperating the worlds of music and art, Carsten Nicolai, aka Alva Noto, is known for an aesthetics of precision: the form of the artist’s stripped-down sound and design installations often follows a scientific function, playing with and altering viewers’ audio-visual perceptions…”  (via Hans Ulrich Obrist talks to Carsten Nicolai)

Reblogueado desde The Pace Gallery Blog